In 1968, KG Subramanyan unveiled "Windows-II", a pivotal piece within his expansive series of polyptychs and murals. Rooted in both practicality and theory, this series emerged from Subramanyan's formative years in New York, where spatial constraints sparked his innovative use of multiple canvases. The concept of polyptychs, manifested in "Windows-II", invites viewers into a voyeuristic exploration through structured panels. Each window in Subramanyan's artwork offers a glimpse into the ordinary lives of people, reminiscent of earlier terracotta panels but now characterized by a modular, repetitive grid. Art critic Siva Kumar describes Subramanyan's technique as transforming figures and landscapes into vibrant, flattened forms, evoking a sense of animated mystery.  Subramanyan's "Windows-II" exemplifies his mastery in merging narrative elements with visual artistry, presenting viewers with a tableau that challenges conventional storytelling through its serial and repetitive structure.